Category Archives: Humanities and Social Sciences

Photography and identity

Lorna Robertson, graduate in MA History of Art with Photography, discusses the representation of women in visual culture as explored in the Jo Spence Memorial Library.

The Jo Spence Memorial Library (JSML) holds a range of visual material that Jo Spence had collected, which includes photographs, greeting cards and cartoons. I have found the collection valuable for research into the relationship between photography and identity and also the ways that Spence used existing visual material in her work.

Much of the material in the JSML explores the representation of women in visual culture, and the collection includes photographs that Spence took of women’s magazines during Britain in the 1970s and 1980s. I was initially struck by the number of advertisements that used images of heterosexual courtship to sell products, from tights to kettles.

Other materials, such as greeting cards, highlight the way that children are represented from a young age in heterosexual gender roles.I also began to see how these magazines used photography to reinforce tradition values around the family, and with this in mind, I began to consider issues around the representation of domesticity. Here, the image of woman as sex object is joined by a domesticated image of wife and mother, both of which may be used to sell domestic products.

In these contexts, the white, affluent, heterosexual family is presented as an aspirational lifestyle, but Spence also noted the way that other adverts play on the fear of not living up to these roles in order to sell medication for anxiety and depression.

The JSML collection also holds a collection of newspaper cartoons and I found that when looking at the cartoons in conjunction with magazine images, the cartoons often undermined the ideologies of the magazines.

Issues on the visual representation of men are also addressed in the collection, for instance the materialism of advertisements is countered by the suggestion that consumerism may be a financial strain on married men.

This issue of consumerism in relation to the family also developed my sense of Spence’s engagement with class, which I explored by juxtaposing different images in the collection. For example, the advertisements for a spacious, fully equipped kitchen appears unviable and economically detached from the photograph of Spence standing in front of a small terraced house.

The collection does, however, always underscore the role that photography plays in constructing and maintaining ideologies in Western society. The material points to the frameworks behind a range of photographic practices, such as the male members of the Islington Photographic Society photographing two female models in a studio.

Or how the family album is influenced by the photographic styles of companies such as Kodak and high street photographers, who privilege posed portraits of occasions such as marriage, births and the family get together.

Other materials in the collection also indicate that Spence was concerned with image construction in relation to the wider history of photography, such as images of carte de visite and vintage advertisements for photography equipment.

Spence was clearly an accumulator of visual material and a photograph in the JSML collection gave me an idea of how Spence used the material in her work. The photograph is Spence holding a book, in which she has assembled images associated with female childhood.

Here, Spence has used a school photograph of herself as a child from 1939 (which I identified through cross-referencing with books in the JSML), and placed it alongside an advert for the Miss Pears competition and two stickers of the cartoon character Wonder Woman. However, Spence has made visible a disjuncture between these aspirational images of childhood and her actual experience growing up as a working class child in Britain during the Second World War, through a snap shot of a child standing in front of another small terraced house and the hand written text ‘I HAD A NICE TIME MOST OF THE TIME’.

The process of investigating each of the components in this photograph illustrated to me that Spence had constructed this image. Not only had she assembled the found images in the album, but Spence had also assembled the situation of herself sitting on a chair, holding the album, looking at the camera, the artificiality of which is further emphasised by the back drop of the white wall and poster, which echoes the set-up of studio portraiture. This montaging, like the JSML collection as a whole, touches on discussion presented by Spence in articles from the 1980s on the slippage between images from our personal lives, images of popular culture and the construction of our identity.

Find out more: History and Theory of Photography Research Centre

The food politics of Brexit

Dr Alex Colás and Dr Jason Edwards discuss the crucial place of food and drink in the Brexit negotiations, and how they could impact domestic and international politics. They are authors with Jane Levi and Sami Zubaida of Food, Politics, and Society: Social Theory and the Modern Food System (University of California Press), which will be launched at a reception on 13 December. Find out more and book your free place here.

Whatever the outcome of ongoing Brexit negotiations, one conclusion is abundantly clear: food and drink are critical to this process, and more widely to both domestic and international politics. This is most obvious in relation to the UK’s food security. With just over 30 per cent in value terms of Britain’s just-in-time food supply coming from within the European Union, the UK’S food security is likely to be compromised. A recent authoritative report warns that Britain’s nutritional and political stability could be undermined by price volatility, sharpening inequalities and erosion of public trust following Brexit. Far from being an anecdotal sideshow, the effects of the divorce on Britain’s food economy are starting to become apparent in both the agricultural and hospitality sectors, so dependent on EU labor.

The consequences of Britain’s withdrawal from the EU go beyond the high politics of summitry, increasingly appearing in the everyday lives of UK residents, touching on issues like national and regional identities, public health, fisheries and agriculture, commodity supply chains, fast food workers, food standards and changing consumer tastes. Products like Stilton, Arbroath Smokies or indeed Scotch whisky, all currently listed by the EU as having Protected Designation of Origin or Geographical Indication, are expected to retain this status only if there is a UK alignment with European regulations, and will otherwise have to apply as a ‘third country’ producers. The great British institution of the Friday night curry is also affected by Brexit. During the 2016 referendum campaign, leading Brexiteers secured the support of the Bangladesh Caterers Association – a major organisation representing the sector – with the promise that leaving the EU and ‘taking back control’ of immigration would ‘save our curry houses’. Two years on, representatives of this emblematic sector of the country’s catering industry say they are disappointed that the final Brexit deal is likely to offer EU citizens preferential access to the UK labour market. News headlines have equally highlighted the public health and food safety dimensions of Brexit as farmers and consumers worry about the prospect of chlorine-washed chicken, hormone-treated beef or genetically-modified organisms entering the UK food chain through trade deals with countries outside the EU.

All of these concerns have an extensive history in British and continental politics. In our new book Food, Politics, and Society we take the long view and argue that in fact questions of food prices and international trade; cuisine and identity; state regulation of food and drink; or the public health and environmental consequences of different food regimes have been central to the development of western social theory since the eighteenth century.

Classical political economists such as Adam Smith, David Ricardo and their eminent critic Karl Marx should to different degrees be seen as theorists of food politics. Food is key to Smith and Ricardo’s famous accounts of rent and comparative advantage, while the importance for Marx’s work of the agro-ecological concept of ‘metabolism’ has recently been expertly recovered by Marxian scholars. Closer to our times, theories of nationalism, the public sphere, class or gender have emphasized the centrality of food and drink to the reproduction of these social phenomena.

It is useful to place the ongoing policy debates and political disputes surrounding the food politics of Brexit in wider historical and sociological perspective because food and drink have been of critical importance to European geopolitics in the modern age. In the nineteenth century, ‘Gastronationalism’ played a significant part in the formation of national identity in major states like Italy and France, and the invention of national and sub-national food cultures remains a feature of politics across Europe (an activity, somewhat ironically, much supported by the EU). But modern national food cultures have been shaped by a more-or-less conscious mimicry or rejection of other food cultures. The traditional British distaste for garlic – a French predilection – developed at the same time as a public eating culture massively influenced by French ideas of culinary technique and table service. The ‘revival’ of British food over the last twenty years is in fact far more of an invention shaped by foreign food developments, such as the Slow Food movement originating in Italy.

At the same time, the struggle to define national cuisines within states has often mirrored deep divides along lines of class, gender, and ethnicity. Brexit is – or has become – more than a disagreement over the economic costs and benefits of EU membership. It has expressed underlying conflicts in modern British society, and these conflicts are reflected in contending visions of what British food is and should be. Post-Brexit, British Gastronationalism is likely to be reinvented once again. As one restaurant critic recently put it: ‘In a post-Europe landscape, we’ll drink only Denbies red wine from the vineyards of Dorking and eat fish and chips off fancy plates while listening to vintage Arctic Monkeys’.

Alex Colás and Jason Edwards teach in the Politics Department at Birkbeck College and convene the Birkbeck Food Group. Get free tickets for the launch reception on Thursday 13 December where discount copies of Food, Politics, and Society: Social Theory and the Modern Food System will be on sale.

How should we talk about white majorities?

Eric Kaufmann, Professor of Politics, argues that we need to talk about white majorities and do so with understanding in his new book, Whiteshift.

Across the West, anti-immigration populists are tearing a path through the usual politics of left and right. Immigration is remaking Europe and North America; over half of American babies are non-white, and by the end of the century, minorities and those of mixed race are projected to form the majority in most Western European countries. The left-right distinction is being overshadowed by a culture war pitting whites who dislike diversity against those who embrace it. Ethnic transformation will continue, but conservative whites are unlikely to exit quietly; their feelings of alienation are already redrawing political lines and convulsing societies across the West.

Drawing on detailed and extraordinary survey, demographic and electoral data and enriched with illustrative stories, Whiteshift explores the majority response to ethnic change in North America and Western Europe. Eric Kaufmann, a leading expert on national identity and ethnic change, calls for us to move beyond empty and partisan talk about national identity and open up debate about the future of white majorities. He argues that we must move past the dominant storyline of ever-increasing diversity to enable conservative whites and liberals alike to see a positive future in “whiteshift” – a new story of majority transformation through intermarriage that can help lift anxieties and heal today’s widening political divisions.

Professor Kaufmann has been researching immigration, religion, and national identity for over twenty years. A native of Vancouver, British Columbia, he was born in Hong Kong and spent eight years in Tokyo, and is now Professor of Politics at Birkbeck College, University of London. His previous books include Shall the Religious Inherit the Earth? and The Rise and Fall of Anglo-America.

Female Genital Mutilation and social media

Dr Christina Julios, Honorary Research Fellow in the Department of Geography discusses the research that has informed her new book on the changes in anti-FGM campaigning over time.

Against a backdrop of over 200 million girls and women worldwide affected by Female Genital Mutilation (FGM), I have explored changes in anti-FGM campaigning over time, while considering the various ways in which anti-FGM activists engage with Internet-based technology. In doing so, tensions between online and offline anti-FGM efforts have been exposed, raising questions about their effectiveness to bring about social change. My new book, Female Genital Mutilation and Social Media draws on twenty-one fieldwork interviews with anti-FGM activists, frontline practitioners and survivors both in the UK and abroad, highlighting the opportunities and challenges they face.

I was interested in examining the many polarised debates surrounding the practice of FGM, which include arguments rejecting FGM in all its forms as a violation of human rights; those justifying it for cultural, religious and aesthetic reasons; as well as those advocating the ‘medicalisation’ of FGM in clinical settings. Within the context of online gender activism, I have unveiled attempts to silence women’s voices in virtual public spaces through the spread of ‘cyber-misogyny’ and ‘online abuse. I have also considered the potential drawbacks of online mobilisation including, so-called ‘clicktivism’ or token activism together with ‘technological determinism’, which may undermine the importance of offline participation.

In order to illustrate the extent and diversity of online anti-FGM activism, I examined various key global online campaigns aimed at eradicating FGM. Featuring social media platforms such as Twitter, Facebook and YouTube, they include: the UN’s International Day of Zero Tolerance for FGM, the WHO’s Sexual and Reproductive Health Programme, The Girl Generation, The Guardian’s End FGM Global Media Campaign and the Massai Cricket Warriors’ campaign. In addition, I documented ten case-studies illustrating the work of prominent international anti-FGM campaigners. In the first instance, my book depicts five African-led narratives from celebrated activists, namely: Efua Dorkenoo OBE, Waris Dirie, Ayaan Hirsi Ali, Jaha Mapenzi Dukureh and Leyla Hussein. The volume also features five international accounts from FGM survivors I interviewed for the book including: Mama Sylla, Chairwoman of La Fraternite Gineenne (Ginea); Masooma Ranalvi, Convenor of We Speak Out (India); Farzana Doctor, Member of We Speak Out (India); Fatou Baldeh, Trustee of Dignity Alert and Research Forum (DARF) (Edinburgh, UK) and Mariya Taher, Co-founder of Sahiyo and Member of U.S. Network to End FGM/C (USA).

The book’s methodology comprises analysis of primary data from the twenty-one interviews, including written personal narratives submitted via an online questionnaire, as well as content analysis of relevant materials on leading social media platforms such as Twitter, Facebook and YouTube. In addition, I engaged in documentary analysis of a wide range of secondary sources including, official publications, parliamentary debates, legislation, scholarly books and journals, newspaper articles, grey literature, online films and documentaries. Such an array of sources and narratives provides a rich picture of the complex phenomenon of anti-FGM online activism in the first academic study of its kind.

Female Genital Mutilation and Social Media is now available from Routledge.